You might have planned ahead and loaded his escape vehicle with surprise explosives. Your panicked assassination target might make a dash for a helipad. Or you can attempt to infiltrate entirely undetected, waiting until the sun goes down to sneak around under cover of darkness, hiding inside cardboard boxes and luring guards away from their posts by making odd noises.īut it’s once things start going tits up that The Phantom Pain becomes a mad and frenetic spectacle, one that draws on your creativity and ingenuity as a player in an unpredictable and rapidly escalating series of disasters. Tranquilisers and close-quarters combat can be used to quietly incapacitate guards, while more powerful artillery can be employed to loudly and crudely blast your way through enemy forces. How you go about accomplishing these missions is up to you and your bottomless grab-bag of gadgets, guns and tech.

Unlike any other Metal Gear game before it, The Phantom Pain repeatedly airdrops you into a sprawling chunk of Soviet-occupied, 1980s Afghanistan (and later Zaire), and tasks you with carrying out a branching series of open-ended objectives.

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